Presenters of the Asian American International Film Festival
Dreams, reality, folklore, and everything in between: “It’s a Mad Mad Multiverse” encompasses it all. The collection of shorts traverses unique universes but the themes are universal, covering guilt, trauma, grief, longing, nostalgia, and friendship. Here ...
The underdog congressional campaign of David Kim It has been said that the political identity of Korean Americans was forged in the fires of Sa-I-Gu (also known as the Los Angeles Riots). Following the Rodney King verdict and the sentencing of Soon Ja Du, ...
A movie about filmmaking dreams in its lowest tide This article may contain spoilers. New York City – a sight that gives optimism, especially when your point of view is from the outside looking in. “No New Wave,” the debut feature film by Ziwei Yao, open ...
An ode to the dignity of overseas Filipino workers in Hong Kong They dance to celebrate. To remember. To forget. To take up space in a world that demands they give up their individuality in exchange for a meek, submissive existence. In Stefanos Tai’s film ...
Written by: Yuet-fung Ho Editor's Note: “Freckled Rice” originally screened at AAIFF83. It is an ACV Classic that re-screened at AAIFF45. Yuet-fung Ho produced the film alongside her husband, Steven C. Ning. This postscript originally appeared in the AAI ...
Coming of age in Chinatown is hardly an individual experience; it’s a family affair. “Freckled Rice,” a 1983 film directed by Stephen C. Ning, is a story about 13-year-old, American-born Joe Soo (J.P. Wing) who grows up in Boston’s Chinatown in the 1960s. ...
“Class of 2019, you’re graduating this year. And you know what? You should know the truth. We were never really a yearbook committee. Instead, we’re gonna make our own secret movie, which you all get to see very, very soon. It’s the movie you deserve. The ...
Andrea Nirmala Widjajanto talks about her hypnotic short Written by: Patricia Kusumaningtyas In the short film “Srikandi,” directed by Indonesian director Andrea Nirmala Widjajanto, reality is not what it seems. The viewers are immersed into a world of J ...
It's a last glimpse at some familiar faces “A Father’s Son” is Chinatown’s breathing testament to the pandemic. Patrick Xi Hao Chen began filming in 2019. Sustained by community funds, he hurtled through film shoots like he was on a ticking clock. “It’s ...